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Chick'N Swell

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In It for the Money
In It for the Money is the second album by British alternative rock band Supergrass, released in 1997. NME called it "more fun than watching a wombat in a washing machine" and named it the 10th best album of the year. In 1998, ''Q'' readers voted it the 68th [......]
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Born to Run
Born to Run is the third album by the American singer-songwriter Bruce Springsteen. It was released on August 25, 1975 through Columbia Records. It captured the heaviness of Springsteen's earlier releases while displaying a more diverse range of influences.
Born to Run was a critical and commercial success and became Springsteen's [......]
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OK Computer
OK Computer is the third studio album by the English alternative rock band Radiohead, released on 16 June 1997 on Parlophone in the United Kingdom and 1 July 1997 by Capitol Records in the United States. It marks a deliberate attempt by the band to move away from the introspective [......]
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Garage Inc. (disc 1: New Recordings '98)
Garage Inc. is a cover/compilation album by the American heavy metal band Metallica. It was released on November 24, 1998 through Elektra Records. Over 2.5 million copies have been sold in the US as certified by the RIAA. It includes cover songs, B-side covers, and the The $5.98 E.P.: Garage [......]
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L.D. 50
L.D. 50 is the debut studio album by American heavy metal band Mudvayne. Released in 2000, it is the band's first release on Epic Records, following the independently-released extended play, Kill, I Oughtta. L.D. 50 was coproduced by GGGarth & Mudvayne and executive produced by Steve Richards & Slipknot member [......]
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I Should Coco
I Should Coco is the debut studio album by English alternative rock band Supergrass, released through Parlophone in May 1995. Supergrass were formed in 1993 by Gaz Coombes, Mick Quinn and Danny Goffey and they released their debut single from the album, "Caught by the Fuzz", in May 1995 on [......]
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The Great Southern Trendkill
The Great Southern Trendkill is the eighth studio album by Pantera. It was released in May 1996 through East West Records. It reached number 4 on the Billboard Top 200 chart. Due to tension and conflicts within the band, Phil Anselmo recorded the vocals alone at Trent Reznor's Nothing Studios [......]
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