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Gints Meļķis

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Artist tags: latvian



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Babyteeth
NOTOC
Babyteeth was the first (mini-)album by the Northern Irish band Therapy?, released on July 15, 1991, on Wiiija Records. Tracks 1 and 3 were recorded in January 1990, with the remaining tracks recorded later that year, all at Homestead Studio in Randalstown, Northern Ireland. The album reached number 1 [......]
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Leviathan
Leviathan is the second album by metal band Mastodon, released in 2004 by Relapse Records. The album is the group's first concept album and is loosely based on the Herman Melville novel Moby-Dick, and the songs "Iron Tusk", "Blood and Thunder", "I Am Ahab" and "Seabeast" were released as singles. [......]
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Queens of the Stone Age
Queens of the Stone Age is the self-titled debut album by American rock band Queens of the Stone Age. Following the collapse of negotiations with Roadrunner Records, the album was released on September 22, 1998 on Loosegroove Records, operated by Pearl Jam guitarist Stone Gossard. The album was primarily [......]
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Angel Dust
Angel Dust is the fourth studio album by the American rock band Faith No More. It was first released through Slash Records on June 8, 1992 in Europe and the United States. It is the follow-up to 1989's highly successful The Real Thing, as well as the final studio album [......]
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De‐Loused in the Comatorium
De-Loused in the Comatorium is the debut studio album by American progressive rock band The Mars Volta, released on June 24, 2003 on Gold Standard Laboratories and Universal Records. Based on a short story written by lead singer Cedric Bixler-Zavala and sound manipulation artist Jeremy Michael Ward, the album is [......]
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Faceless
Faceless is the third studio album by the heavy metal band Godsmack. The album introduced drummer Shannon Larkin, former drummer for Ugly Kid Joe. The album was released on April 8, 2003.
The songs "Straight Out of Line" and "I Stand Alone" had Grammy nominations for 'Best Rock Song' and, [......]
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Strap It On
Strap It On is the debut album by American post-hardcore band Helmet. Originally released in 1990 through Amphetamine Reptile Records, it was subsequently rereleased by Interscope in November 1991.
Critics considered the album innovative for its explosive, propulsive, and often staccato riff style which greatly exploited drop D tuning. It has [......]
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