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Throttle Junkies
Throttle Junkies is the debut album by the Chicago-based music group Soil. The album was released on May 18, 1999 via the now defunct MIA Records. It featured tracks previously released on the band's EPs Soil and El Chupacabra. Not long after the album's release, MIA folded. This led to [......]
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1,039/Smoothed Out Slappy Hours
1,039/Smoothed Out Slappy Hours is a collection of early recordings by the American punk rock band Green Day. It was released on July 1, 1991 through Lookout! Records. Often referred to as the band's first album, the compilation combines its debut album 39/Smooth and its first two extended plays Slappy [......]
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Born to Run
Born to Run is the third album by the American singer-songwriter Bruce Springsteen. It was released on August 25, 1975 through Columbia Records. It captured the heaviness of Springsteen's earlier releases while displaying a more diverse range of influences.
Born to Run was a critical and commercial success and became Springsteen's [......]
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Metal Magic
Metal Magic is the first album by the heavy metal band Pantera, released in 1983 (see 1983 in music). Like the band's next three releases, this album was musically oriented toward a hard rock/heavy metal sound influenced by Kiss and Van Halen, rather than the groove metal style they [......]
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Dookie
Dookie is the third studio album by American punk rock band Green Day. It was released on February 1, 1994 through Reprise Records. It was the band's first collaboration with producer Rob Cavallo and its major record label debut. Dookie became a worldwide commercial success, peaking at number two on [......]
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Iowa
Iowa is the second album by American metal band Slipknot. Released by Roadrunner Records on August 28, 2001, it was produced by Ross Robinson and Slipknot. The title derives from the band's home state, Iowa, which members have stated is one of their biggest sources of inspiration. With much anticipation [......]
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Semi-Detached
NOTOC
Semi-Detached was the fourth major label album by the band Therapy?. Released on March 30, 1998 on A&M Records, it turned out to be their final album on the label. The album was recorded at various stages throughout 1997, including sessions at Chipping Norton Studios in Oxford, Homestead Studio [......]
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