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Justin K & DJ K-Mixx

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Army of Anyone
Army of Anyone was the debut and lone album by Army of Anyone, an American rock band featuring Richard Patrick of Filter, the DeLeo brothers from Stone Temple Pilots (Robert and Dean), and David Lee Roth's former drummer, Ray Luzier of Korn. The album was released on November 14, 2006 [......]
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1,039/Smoothed Out Slappy Hours
1,039/Smoothed Out Slappy Hours is a collection of early recordings by the American punk rock band Green Day. It was released on July 1, 1991 through Lookout! Records. Often referred to as the band's first album, the compilation combines its debut album 39/Smooth and its first two extended plays Slappy [......]
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L.D. 50
L.D. 50 is the debut studio album by American heavy metal band Mudvayne. Released in 2000, it is the band's first release on Epic Records, following the independently-released extended play, Kill, I Oughtta. L.D. 50 was coproduced by GGGarth & Mudvayne and executive produced by Steve Richards & Slipknot member [......]
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King for a Day… Fool for a Lifetime
King for a Day... Fool for a Lifetime is the fifth studio album by Faith No More, released in 1995. It was their first album recorded without longtime guitarist Jim Martin. The album showcased a greater variety than the band's usual heavy metal leanings, with Rolling Stone calling [......]
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Temple of the Dog
Temple of the Dog is the only studio album by the American rock band Temple of the Dog, released on April 16, 1991 through A&M Records. The album is a tribute to Andrew Wood, the former lead singer of Malfunkshun and Mother Love Bone. Wood died on March 19, 1990 [......]
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Live
Live is a live album by the grunge band Alice in Chains. It was released on December 5, 2000 on Columbia Records.

Overview
Live was the band's only live album other than the acoustic album Unplugged. While most of the songs on Live had been released on previous albums, "Queen of the [......]
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The End of All Things to Come
The End of All Things to Come is the second studio album by American heavy metal band Mudvayne, released on November 19, 2002.It was certified Gold by the RIAA.

Musical style
The End of All Things to Come derives influence from multiple styles, including death metal, progressive rock, jazz [......]
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