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Kui Dong

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In It for the Money
In It for the Money is the second album by British alternative rock band Supergrass, released in 1997. NME called it "more fun than watching a wombat in a washing machine" and named it the 10th best album of the year. In 1998, ''Q'' readers voted it the 68th [......]
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L.D. 50
L.D. 50 is the debut studio album by American heavy metal band Mudvayne. Released in 2000, it is the band's first release on Epic Records, following the independently-released extended play, Kill, I Oughtta. L.D. 50 was coproduced by GGGarth & Mudvayne and executive produced by Steve Richards & Slipknot member [......]
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Audioslave
Audioslave is the eponymous debut studio album by the American rock supergroup Audioslave and was released on November 19, 2002 (see 2002 in music). The album's music features Chris Cornell providing his familiar classic rock-esque wails and croons to the songs. It features the hit singles "Cochise", "Show Me How [......]
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The Great Southern Trendkill
The Great Southern Trendkill is the eighth studio album by Pantera. It was released in May 1996 through East West Records. It reached number 4 on the Billboard Top 200 chart. Due to tension and conflicts within the band, Phil Anselmo recorded the vocals alone at Trent Reznor's Nothing Studios [......]
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Semi-Detached
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Semi-Detached was the fourth major label album by the band Therapy?. Released on March 30, 1998 on A&M Records, it turned out to be their final album on the label. The album was recorded at various stages throughout 1997, including sessions at Chipping Norton Studios in Oxford, Homestead Studio [......]
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Faceless
Faceless is the third studio album by the heavy metal band Godsmack. The album introduced drummer Shannon Larkin, former drummer for Ugly Kid Joe. The album was released on April 8, 2003.
The songs "Straight Out of Line" and "I Stand Alone" had Grammy nominations for 'Best Rock Song' and, [......]
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Dust
Dust is the seventh and final album by the Screaming Trees, released on June 25, 1996.
After an aborted attempt at recording a followup to Sweet Oblivion with producer Don Fleming, the band hired producer George Drakoulias to man the controls for what eventually turned out to be their last album. [......]
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