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Peter B.

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We Are the Nightmare
We Are the Nightmare is the third studio album by technical death metal band Arsis. It was released April 15, 2008 via Nuclear Blast Records.

History
Recording began on the September 3, 2007 at Planet Z Studios in Massachusetts and ended on October 19. It was produced by Zeuss who has [......]
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Madonna
Madonna is the second studio album by the American band ...And You Will Know Us by the Trail of Dead. It was released on October 19, 1999 by Merge Records.

Background and production
The cover art features a Hindu goddess painting by Conrad Keely called Portrait of Kali. The back art [......]
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L.D. 50
L.D. 50 is the debut studio album by American heavy metal band Mudvayne. Released in 2000, it is the band's first release on Epic Records, following the independently-released extended play, Kill, I Oughtta. L.D. 50 was coproduced by GGGarth & Mudvayne and executive produced by Steve Richards & Slipknot member [......]
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Babyteeth
NOTOC
Babyteeth was the first (mini-)album by the Northern Irish band Therapy?, released on July 15, 1991, on Wiiija Records. Tracks 1 and 3 were recorded in January 1990, with the remaining tracks recorded later that year, all at Homestead Studio in Randalstown, Northern Ireland. The album reached number 1 [......]
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The Other Side
The Other Side is an acoustic EP by heavy metal band Godsmack, released on March 16, 2004. It includes several previously released songs re-recorded as acoustic versions, as well as three new acoustic tracks.
One new song, "Touché", featured Godsmack's first guitar player, Lee Richards, as well as John Kosco, [......]
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Reload
ReLoad is the seventh studio album by American heavy metal band Metallica, released on November 18, 1997 through Elektra Records. It is a sequel or counterpart to the band's previous album, Load, and also the final Metallica album of the 20th century. ReLoad debuted #1 on the Billboard 200, selling [......]
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OK Computer
OK Computer is the third studio album by the English alternative rock band Radiohead, released on 16 June 1997 on Parlophone in the United Kingdom and 1 July 1997 by Capitol Records in the United States. It marks a deliberate attempt by the band to move away from the introspective [......]
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