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Romell Regulacion
Details of Romell Regulacion (Person), information and links
Links
- discogs: http://www.discogs.com
Member of
Last artists |
From users collections
 | The End of All Things to Come |
| “The End of All Things to Come is the second studio album by American heavy metal band Mudvayne, released on November 19, 2002.It was certified Gold by the RIAA. Musical style The End of All Things to Come derives influence from multiple styles, including death metal, progressive rock, jazz [......]” Read more | |
 | Core |
| “Core may refer to: Science and Academics - Core (astronomy), the central part of a galaxy - Core (group), in mathematics, an object in group theory - Core (functional analysis), in mathematics, a subset of the domain of a closable operator - Core (graph theory), in mathematics, the homomorphically minimal subgraph of a graph - Core [......]” Read more | |
 | Toxicity |
| “Toxicity is the second album by American heavy metal band System of a Down. Produced by Rick Rubin, Toxicity was released on September 4, 2001 by American Recordings, debuting at number 1 on both the United States, with 220,000 copies, and number 1 on the Canadian charts. Toxicity has [......]” Read more | |
 | Satisfaction Is the Death of Desire |
| “Satisfaction Is the Death of Desire is the first full-length album by the American hardcore band Hatebreed. It was released on November 11, 1997 through Victory Records. This was the band's breakthrough album, with the majority of critics praising it, even calling it a "hardcore classic". [......]” Read more | |
 | Angel Dust |
| “Angel Dust is the fourth studio album by the American rock band Faith No More. It was first released through Slash Records on June 8, 1992 in Europe and the United States. It is the follow-up to 1989's highly successful The Real Thing, as well as the final studio album [......]” Read more | |
 | Strap It On |
| “Strap It On is the debut album by American post-hardcore band Helmet. Originally released in 1990 through Amphetamine Reptile Records, it was subsequently rereleased by Interscope in November 1991. Critics considered the album innovative for its explosive, propulsive, and often staccato riff style which greatly exploited drop D tuning. It has [......]” Read more |
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Statistics
| Artists: | 625.311 | |
| Albums: | 924.408 |