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The Paranoid Polaroids
Details of The Paranoid Polaroids (-), information and links
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 | Down on the Upside |
| “Down on the Upside is the fifth studio album by the American grunge band Soundgarden, released on May 21, 1996 through A&M Records. It is the band's third album with bassist Ben Shepherd. Following a worldwide tour in support of its previous album, Superunknown (1994), Soundgarden commenced work on a [......]” Read more | |
 | Desert Sessions, Volumes 9 & 10 |
| “Volumes 9 & 10 is the fifth compilation from Josh Homme's ongoing collaborative side project, The Desert Sessions. 9 & 10 features PJ Harvey, Ween's Dean Ween, Marilyn Manson's (and formerly of Nine Inch Nails) Jeordie White, Eleven's Alain Johannes, as well as Troy Van Leeuwen and Joey Castillo, both [......]” Read more | |
 | Purple |
| “Purple is the second studio album released by the American rock band Stone Temple Pilots released in June 1994 on Atlantic Records. The album, building off the foundations laid by the band's debut album Core, was a huge success for the band, debuting at #1 on the Billboard 200 chart [......]” Read more | |
 | Babyteeth |
| “NOTOC Babyteeth was the first (mini-)album by the Northern Irish band Therapy?, released on July 15, 1991, on Wiiija Records. Tracks 1 and 3 were recorded in January 1990, with the remaining tracks recorded later that year, all at Homestead Studio in Randalstown, Northern Ireland. The album reached number 1 [......]” Read more | |
 | Heart On |
| “Heart On is the third studio album from American rock band Eagles of Death Metal, released on Oct 28, 2008. When asked about the album, lead singer Jesse Hughes stated: "EODM's latest fabulous weapon, a top-secret music missile, a sonic warhead sexually tipped for her pleasure, shot from the deck [......]” Read more | |
 | Strap It On |
| “Strap It On is the debut album by American post-hardcore band Helmet. Originally released in 1990 through Amphetamine Reptile Records, it was subsequently rereleased by Interscope in November 1991. Critics considered the album innovative for its explosive, propulsive, and often staccato riff style which greatly exploited drop D tuning. It has [......]” Read more |
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Statistics
| Artists: | 625.311 | |
| Albums: | 924.408 |